The sampler quilts are finished! I didn’t name them until I chose the background and sashing fabrics for each – then everything seemed to fall into place. They are my Jesus and Mary quilts.
My father-in-law was a devout Catholic – he didn’t talk about his faith much – but he lived it every day. When he passed, we found two ceramic busts of Jesus and Mary in his belongings. He made them in 1960 while in the Air Force and stationed in Guam on temporary duty. They now grace our bedroom dresser. As these quilts began to “reveal” themselves to me, I kept seeing Jesus in the rich and deep reds, and Mary in the blues and creams, and I thought of Don Smith and of Jesus and Mary who watch over us.
So I guess this is the continuing saga of the sampler quilts… there is light at the end of the tunnel! Finished the quilting on the first sampler yesterday and am binding it today. Next is piecing the quilt top together on the second sampler quilt. I can’t wait to start on it – it will have a very different fabric for the sashing and background, even though the quilt blocks are the same. More to come!
I’ve finished 104 blocks (out of 111) on my sampler quilt. Only 7 more to go. (Of course, there will be a lot more work to do even when the blocks are done. And did I mention that I am making 2 of each block, in order to make two sampler quilts?!) But I had to take a break from the project to begin work on a queen-size T-shirt quilt for a client – her Christmas gift to her son!
I’m working with templates on this sampler quilt. There are a lot of them and most of them are pretty small. Accuracy has been a challenge – one that I’ve met – until I came to quilt block #38. It’s called Four Winds. I had to make it twice before I got it right. All because of template #13. I had to sew these 56 teeny triangles together to make 1″ squares (called half-square triangles). The first time, my squares came out too wonky to use – they were not square! So I gave up for a few days and tried to talk myself into just not using this Four Winds block in the quilt. But ultimately that did not seem to be the thing to do, so I started over by reprinting a new template #13 (the old one was worse for wear at this point). With careful cutting and careful seam allowances and careful pressing, the Four Winds block is done!
When I first began this sampler quilt a couple of weeks ago, I envisioned working on it along and along – maybe making just one block a week or whenever I had a few spare moments. It was going to be one of those long-lasting, ongoing projects that, once complete, I would refer to as the quilt that took me a year to make… but even when I was a child, my dad used to describe me as having a “one-track” mind… and so I have found myself working exclusively on these little 6-inch quilt blocks during my studio time each day.
All of the quilt blocks date to the 1920’s or earlier, and although I’m familiar with some of them, there are quite a few that I’m meeting for the first time. Some of their names are interesting…like “Contrary Wife”, and “Buzzard’s Roost”!
I’ve been working on a sampler quilt. My first. Actually, this is my second attempt at the same one, and it’s going better than the first time. The first time, I quit after the 7th block or so. Second time around, I have 21 blocks done so far. But yesterday I experienced a roadblock… I’m sewing these blocks on my mother’s antique Singer Featherweight sewing machine, and yesterday the machine just all of a sudden locked up. I examined all the parts with a fine-tooth comb and couldn’t find the problem and since I value this little machine so much, I was fighting down all sorts of feelings of stress, anxiety, frustration, even failure and despair. I had to walk away from the thing – with all of its pieces and parts strewn about like a sewing machine junk yard. Later that day when I had settled down enough to listen, the Holy Spirit prompted me to Google my problem! I typed in “bobbin case lockup in Singer Featherweight” and voila! Carmen from the Featherweight Shop made a video that showed me exactly what to do. And now I’m back in business with mom’s sewing machine and my sampler quilt project. Praise God!
Spring is officially just a few days away, but this week the weather has made me think we’ve already arrived. The sunshine and 60’s and 70’s have encouraged my day lilies and peonies to start their push up through the soil, and I’m seeing signs of budding leaves on the honeysuckle and spirea. Spring weeds have begun to sprout as well, but that’s a story for another day! All of this new growth in the garden inspired my Easter Buds Quilt – a very sweet and shabby chic quilt with a vintage vibe.
The quilt block in this quilt is called Magnolia Bud, and was first published in the Kansas City Star in 1932. The pink/lavender and blue checked fabric is a vintage find, as is the tablecloth that I used for the back of the quilt. I fell in love with the spring pastel colors and the white outline stitching of the tablecloth, and was tickled to incorporate it into an Easter quilt! The machine embroidery in this quilt is subtle in the solid lavender buds, but I love the intricate stitching of bunnies, chicks, and eggs. There’s lots to discover in this quilt!
Easter Buds Quilt by Katie Longsmith, 2021 / Size: 56″ x 70″ / vintage and new fabrics / Rabbits and Chicks machine embroidery design by Kreative Kiwi / folk-art lilies quilting design
I’ve had some fun Easter egg fabric in my stash for several years. Here’s what I finally did with it!
Hippity Hop Quilt by Katie Longsmith, 2021 / Size: 44″ x 49″ / 100% cotton fabrics / Hippity Hop machine embroidery design by Embroidery Library – Easter alphabet machine embroidery by Kreative Kiwi / Bunnies quilting design
I was looking through machine embroidery designs and came upon this one : Mightier than the waves of the sea is His Love for you – Psalm 93:4
It’s what inspired this little prayer quilt – from the quilt block called Storm at Sea to the watery-colored solids in the top. From the graphic, modern look of it, you would never know that the Storm at Sea quilt block is an old one. It was published in the Kansas City Star in 1932, but the pattern was known and used by quiltmakers long before its publication date. I took some poetic license by adding the wide, asymmetrical border on the left and enlarging the star motif so that the two right points extend out over the patchwork and the two left side points are cut off!
Mighty Waves Prayer Quilt by Katie Longsmith, 2021 / Size: 45″ x 49″ / 100% cotton fabrics / Psalm 93:4 machine embroidery design by Embroidery Library / Ocean Waves quilting design
Second in my Prayer Quilt “series” (only 2 so far, so I’m not sure that qualifies as a series yet!), this quilt was made with my daughter in mind. I gifted it to her last night.
Prayer for my Daughter Quilt by Katie Longsmith, 2021 / Size: 49″ x 49″ / vintage silk ties and new cotton fabrics / God is Within Her machine embroidery design by Embroidery Library / Cabbage Rose quilting design